Portrayal of Oppression and Resistance in Nigerian Women’s Prose Fiction: A Generational Study of Amaka Azuike’s Violated and Other Selected Short Stories

Authors

  • Clara Olajumoke Akinyeye Department of English, University of Ilesa, Ilesa, Osun State Author

Keywords:

Oppression, Resistance, Patriarchy, Gender, Violence

Abstract

This paper discusses Amaka Azuike 2019 collection of classic short stories to commemorate the historic 1995 global demand for gender equality and development as ascertained in the Beijing Declaration of the 4th Word Conference on Women. The creative writer joins her global counterparts to assert women’s rights by challenging the male status quo and overall position of women in the society. Azuike’s Violated, as situated in womanist discourse, as argued by Chikwenye Ogunyemi and Mary Kolawole is set to break the culture of silence on the daily oppression of women as wives, lovers, sisters, daughters and staff. In Violated and other selected short stories, her female protagonists are depicted as vulnerable and victims of male oppression and violence. The five stories treated in this paper highlight sexual molestation / abuse, incestuous crime, harassment, physical abuse and emotional blackmail among others. While emphasizing the consequences of being a woman in an abusive relationship as tantamount to losing vital privileges such as education and financial security; Azuike’s collection of short stories depict real life events that have eaten deep into the fabrics of Nigerian, and of course other African societies where women are raised to be dependent and submissive. While incest, marginalized voices, cultural expectations physical abuse and disempowerment become cultural phenomena that abuse relationships entail thus engendering women as victims who consequently remain in bad situation with no means of financial support. The creative strategies of encouraging comprehensive education and professional skills as a weapon against masculine abuses, amplify the prose writer’s voice in proffering negotiation or defiance to engender a meaningful balance where both male and female should be accorded their fundamental full respect as homo-sapiens.

References

Adebayo, A. (Ed.). (1996). Introduction. In Feminism and Black women’s creative writing. Ibadan, Nigeria: AMD Publishers.

Adeleke, J.A. (1996). Feminism, Black feminism and the dialectics of womanism. In A. Adebayo (Ed.), Feminism and Black women’s creative writing (pp.). Ibadan, Nigeria: AMD Publishers.

Awoyemi – Arayela, T. (2013). Nigerian literature in English: The Journey so far? International Journal of Humanities and Social Science Invention, 2(1), 01-06.

Azuike, A. (2019). Violated. Lagos, Nigeria: Parresia Publishers Ltd.

Ba, M. (1985). So long a letter (H. Stevenson, Trans.) London: Heinemann.

D’Almedia, I. (1994). Francophone African women writers: Destroying the emptiness of silence. Gainesville, FL: University Press of Florida.

Davies, C.B. & Graves, A.A. (1986). Ngambika: studies of women in African literature. Trenton, NJ: Africa World Press.

de Beavoir, S. (2011). The second sex (C. Borde & S. Malovany – Chevallier, Trans.). New York, NY: Vintage International. (Original work published 1994).

Emechetta, B. (2007). Feminism with a small “f”. In Tejumade Olaniyan & A. Quayson (eds.), African Literature. An anthology of criticism and theory (pp 551-557) Malden, MA: Blackwell Publishing.

Grimke, S.M. (18381988). Letters on the equality of the sexes, and the condition of woman. New York, N4; Feminist Press.

Kolawole, M. E. (1997). Womanism and African Consciousness. Trenton, NJ: Africa World Press.

Kolawole, M. E. (2004). Re-conceptualizing African Gender Theory: feminism, womanism, and the Arere Metaphor. In S. Arnfred (Ed.), Re-Thinking Sexualities in Africa. (pp. 251-265). Uppsala, Sweden: Nordiska Afrikainstitutet.

Oginni, E. (1996). "Feminism and Womanism": A historical perspective. In A. Adebayo, (Ed.), Feminism and Black Women's Creative Writing. Ibadan, Nigeria: AMD Publishers.

Ogundipe-Leslie, O. (1994). Recreating Ourselves: African Women and Critical Transformation. Trenton. NJ: African World Press.

Ogunyemi, C. O. (1991). Womanism: The dynamics of the Contemporary Black Female Novel in English. In C.K.D. Innes & E.O. Irele (Ed.), African literature: An anthology of criticism and theory. Portsmouth, NH: Heinemann.

Sanderson, C.A. (2009). Social Psychology. Hoboken, NJ: Wiley.

Showalter, E. (1977). A literature of their own: From Charlotte Bronte to Doris Lessing. London: virago room Helm. (Introduction by M. Jacobus).

Smith, B. (1982). Toward a Black feminist criticism. In G.T. Hull, Patricia Bell Scott, and Barbara Smith (Eds.) But Some of Us Are Brave: Black women’s studies. New York, NY: The Feminist Press.

Thomas, W. (2019). Pedagogy of care. Retrieved August 26th, 2022 from httpswillt 486. Github.ioteaching2019823pedagogy – of – care

Walker, A. (1983). In search of our mothers' Gardens: Womanist Prose. San Diego, CA: Harcourt Brace Jovanovich.

Wollstonecraft, M. (1988). A vindication of the rights of women (C.H. Poston, Ed.). Harmondsworth, Uk: Penguin Classics. (Original work published 1792).

Woolf, V. (1939, April). The art of biography. The Atlantic. Retrieved September 8, 2021 from https:www.theatlantic.commagazinearchive19394 the – art – of – biograph654067

Downloads

Published

30-09-2025

How to Cite

Portrayal of Oppression and Resistance in Nigerian Women’s Prose Fiction: A Generational Study of Amaka Azuike’s Violated and Other Selected Short Stories. (2025). LALICO Journal of Languages, Literature, and Communication, 3(2), 66-74. https://lalicojournals.com/index.php/JLLC/article/view/21